Sustainable flower-sculpture that dresses and transforms the space.

A trio of oversized orchids immediately catches the eye with its sculptural design and strong material presence. Each flower, handcrafted and hand-painted using reclaimed cotton, interacts with iron stems wrapped in grosgrain and a white travertine marble base, creating a work that transforms the space with timeless elegance.

Born of time, not from the earth. These anthuriums do not grow in gardens; they take shape from reclaimed leather—soft and seasoned—handcrafted as unique pieces. Folds, curves, and gentle cuts enhance the flower’s elegance, giving life to a composition that blends nature, design and sustainability.

Seven black calla lilies, hand-carved from recycled leather, are brought to life through upcycling. Their bendable wire stems give each flower a unique shape and character. Arranged in an amphora, they become symbols of sustainable elegance and timeless beauty.

From an old piece of macramé, three calla lilies take shape, following the natural lines of the lace and woven onto a branch with a rough texture. Set within an amphora, they become an interior decorative piece that combines design, craftsmanship and sustainability in a delicate and timeless visual narrative.

The rose, a symbol of beauty and transformation, takes shape from discarded fabric. From an old shirt, unique white roses are born, where stitching and the signs of ageing become a source of beauty. A sculptural flower, blending sustainable design with contemporary elegance, with hints of Art Nouveau.

The leather rose: a sustainable work of art, not just a decorative flower. From a discarded suede skirt emerges a unique rose, where signs of wear and stitching become part of its character. Each petal tells a story of transformation: from a forgotten object to a timeless design.

From the fabric of a forgotten skirt, a black rose is born. Hand-shaped petals, visible scars – imperfect yet vivid. Every detail speaks of transformation and strength: a design that becomes sculpture, emotion and matter.

From a silk blouse left untouched, a rose emerges that never fades. Stitching, hems and details remain visible as traces of the past. Handcrafted to follow the fabric’s natural drape, it becomes a flower of memory: a poetic act of upcycling that transforms emotional value into imperfect beauty.

A bouquet of lilies as a symbol of rebirth and hope. The petals, constructed from skeletons of real leaves and gauze made a14> cotton shaped and painted by hand, tell the story of the strength of that which endures and transforms itself. A tribute to resilience, an invitation to recognise the beauty even in the most fragile aspects of life.

The poinsettia begins as a sculpture of matter and light. The petals, crafted from the veins of real leaves and cotton medical gauze, combine fragility and strength. White, with crystal pistils and sculptural stems, it becomes a new icon, suspended between tradition and artistic expression.

A forgotten crochet centrepiece is given a new lease of life through upcycling. The pointed pattern inspires the petals, which are shaped and reinforced with cotton, whilst a fringe trim forms the heart of the flower. A household object is transformed into a contemporary piece that preserves memory, beauty and history.

Flowers that do not belong to any species, but evoke atmospheres of an exotic nature. Made from black recycled satin, macramé and pistils in viscose, they are woven onto a vintage mirror from the 1960s. Inspired by Art Nouveau, the work becomes a sculpture of the contemporary era in which the past and reinvention engage in a dialogue.

White anemones take shape from a recycled wool lace, whose fringes become light, dynamic pistils. The sinuous stems, inspired by Art Nouveau style, are grafted onto a vintage 1960s coat rack transformed into a structural base. A sculptural piece of furniture that combines memory, elegance and sustainability.

A closed arch becomes an imaginative gateway. Inspired by Art Nouveau stained glass windows, the installation intertwines evocative flowers made from reclaimed materials with a custom-made structure. A dialogue between architecture and matter that transforms the space through a contemporary artistic and design gesture.

Maxi peony entirely handcrafted from reclaimed materials. The regenerated black satin petals and the slender stem interact with a painted grey sandstone base. An upcycling project that transforms forgotten materials into a sculptural, sustainable and high-impact interior design element.

A maxi hibiscus is born from a pair of worn faux leather trousers: a flower-sculpture that transforms discarted material into a scenic presence. Hand-painted, shapeble petals and a textured pistil bring to life an upcycling work that dominates the space with strength, elegance and modernity.

The purple maxi peony in born from a silk organza underskirt destined to be discarted, becoming a monumental flower-sculpture. Silk organza petals—hand-cut, sewn, shaped and painted—are grafted onto a flexible stem and a reclaimed travertine marble base. An upcycling work that combines elegance, memory, and a commanding stage presence.