A trio of oversized orchids immediately catches the eye with its sculptural design and strong material presence. Each flower, handcrafted and hand-painted using reclaimed cotton, interacts with iron stems wrapped in grosgrain and a white travertine marble base, creating a work that transforms the space with timeless elegance.

Born of time, not from the earth. These anthuriums do not grow in gardens; they take shape from reclaimed leather—soft and seasoned—handcrafted as unique pieces. Folds, curves, and gentle cuts enhance the flower’s elegance, giving life to a composition that blends nature, design and sustainability.

Everything is born from forgotten materials: a crochet doily, cotton, iron, PVC, and twill tape. Cut, shaped, and handcrafted, these forms become both flower and sculpture. An installation that transforms a simple corner into a welcoming space, where matter and design gesture dialogue with contemporary elegance.

Seven black calla lilies, hand-carved from recycled leather, come to life through upcycling. The shapeable iron wire stems give each flower its own gesture and intention. Arranged in an amphora, they become symbols of sustainable elegance and timeless beauty.

From an old piece of macramé, three calla lilies take shape, following the natural lines of lace and woven onto a raw-textured branch. Gathered in an amphora, they become an interior design element that combines design, craftsmanship and sustainability into a delicate and timeless visual narrative.

The rose, a symbol of beauty and transformation, takes shape from discarded leather. From an old shirt, unique white roses are born, where original seams and signs of time become a source of value. A sculptural flower, blending sustainable design with contemporary elegance, with hints of Art Nouveau.

The leather rose: a work of sustainable art, not just a decorative flower. From a discarded suede skirt a unique rose, where wear marks and original seams become distinctive character. Each petal tells a story of transformation: from a forgotten object to a timeless design.

From the leather of a forgotten skirt, a black rose is born. Hand-shaped petals, visible scars, imperfect and alive. Every detail tells a story of transformation and strength: a design that becomes sculpture, emotion, and matter.

From a silk blouse that once lay in silence, a rose that never fades is born. Seams, hems and details remain visible as traces of the past. Handcrafted following the natural drape’s fabric, it becomes a flower of memory: a poetic act of upcycling that transforms emotional value into imperfect beauty.

A lily bouquet as a symbol of rebirth and hope. The petals crafted from natural leaf skeletons and hand-shaped, hand-painted cotton gauze, tell the story of the strength found in what endures and transforms. A tribute to resilience, an invitation to recognize beauty even in life’s most fragile nuances.

The poinsettia begins as a sculpture of matter and light. The petals, crafted from the veins of real leaves and cotton medical gauze, combine fragility and strength. White, with crystal pistils and sculptural stems, it becomes a new icon, suspended between tradition and artistic language.

A forgotten crochet centrepiece is given a new life through upcycling. The pointed pattern inspires the petals, which are shaped and reinforced with cotton, while fringe trimming becomes the heart of the flower. A household object is transformed into a contemporary form preserves memory, beauty and history.

Flowers that do not belong to any species, evoking instead exotic atmospheres. Crafted from reclaimed black satin, macramé, and viscose pistils, they intertwine with a vintage 1960s mirror. Inspired by Art Nouveau, the work becomes a sculpture of the contemporary era in which the past and reinvention engage in a dialogue.

White anemones take shape from a recycled wool lace, whose fringes become light, dynamic pistils. The sinuous stems, inspired by Art Nouveau style, are grafted onto a vintage 1960s coat rack transformed into a structural base. A sculptural piece of furniture that combines memory, elegance and sustainability.

A closed arch becomes an imaginative gateway. Inspired by Art Nouveau stained glass windows, the installation intertwines evocative flowers made from reclaimed materials with a custom-made structure. A dialogue between architecture and matter that transforms the space through a contemporary artistic and design gesture.

Maxi peony entirely handcrafted from reclaimed materials. The regenerated black satin petals and the slender stem interact with a painted grey sandstone base. An upcycling project that transforms forgotten materials into a sculptural, sustainable and high-impact interior design element.

A maxi hibiscus is born from a pair of worn faux leather trousers: a flower-sculpture that transforms discarted material into a scenic presence. Hand-painted, shapeble petals and a textured pistil bring to life an upcycling work that dominates the space with strength, elegance and modernity.

The purple maxi peony in born from a silk organza underskirt destined to be discarted, becoming a monumental flower-sculpture. Silk organza petals—hand-cut, sewn, shaped and painted—are grafted onto a flexible stem and a reclaimed travertine marble base. An upcycling work that combines elegance, memory, and a commanding stage presence.